Hamstead took an opinionated approach to the compression, as it's fixed, with a fast attack and medium decay. There's a three-way switch for Q, and a frequency selector that spans from low mids (500Hz) to more conventional mid frequencies (800Hz and 1.2kHz). The middle control has additional controls to help it gel with other pedals. The amp-like 3-band EQ controls are active, but have a relatively restrained boost and cut range. The boost has up to 20dB of transparent gain on tap, but the EQ is a bit more subtle. The Zenith combines a boost, EQ and compression into a full-featured preamp option. Limited control over compressor parameters Moreover, it has the depth to be a useful studio tool as well, for either guitar, bass or synths. You'll never need to buy another EQ again.īecause of the control you have over the Q of the three main bands, this pedal can be subtle in terms of the EQ moves available. However, once you're spending that kind of money on an EQ, there's value in having the additional filters. The non-deluxe version of the ParaEQ ships without the HP/LP and shelving filters. The ParaEQ will allow you to have this kind of control live, in a pedal format with high headroom. Parametric EQ is very common in studio applications, with the most common set of EQ moves for a guitar being to apply two or three parametric bands as well as high pass and low pass filters. This means, at least in terms of gain, you're effectively getting a two-channel preamp. It even has a boost on a second footswitch. ![]() Despite being small enough to fit on most pedalboards, it has three parametric bands, a high pass and low pass filter, and two shelving filters for high and low frequencies. ![]() Simply put, there is no alternative to the Empress Para EQ in a compact format. The fuzz is also switchable from from an 'open' to a 'gated' bias setting.ĭid we mention it has motorized sliders? Oh, well, it does, and they're really cool. Chase Bliss rounded off the Preamp with the ability to deliver full blown fuzz, with silicon and asymmetric germanium diode clipping available. While it's got enough gain on tap to kick a guitar amp into saturation, that wasn't quite enough. It's got volume and gain sliders too, for level control. Not only that, but the mid frequency itself is fully variable, controlled by a dedicated slider. Consequently there's three different mids resonance options and a variable Q control. This preamp design is then married to an EQ based on the semi-parametric design found on Chase Bliss' Condor pedal. It takes its inspiration from Benson Amps' excellent Chimera preamp - a version of their 30W Chimera amp, with the tubes replaced by FETs. ![]() It's a collaboration between Chase Bliss and Benson Amps, so comes with an impressive pedigree. The Automatone is the pinnacle not only of boutique EQ options, but also of preamps more generally.
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